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The selected performance pieces in this issue present an interesting contrast between the numinous irreality of Zhang Huan's elaborately staged performance pieces, documented here as a series of photographic tableaus, and Brian Grosz's epigrammatic texts, selected from his play The Holy Highball. The self is, alternately, a god-like director of pageantry and the interactive instigator of comedy.

artist pic Featured Artists:

 Zhang Huan